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2020 single by Lady Gaga

"911"
Lady Gaga - 911 (Sofi Tukker Remix) (2020) (official single cover).jpg

Sofi Tukker Remix cover

Unmarried by Lady Gaga
from the album Chromatica
Released September eighteen, 2020
Recorded 2019
Studio Henson Recording Studios
Genre
  • Eurodisco
  • synth-pop
  • electropop
Length two:52
Label Interscope
Songwriter(s)
  • Lady Gaga
  • BloodPop
  • Madeon
  • Justin Tranter
Producer(southward)
  • BloodPop
  • Madeon
  • Benjamin Rice
Lady Gaga singles chronology
"Rain on Me"
(2020)
"911"
(2020)
"Free Woman"
(2021)
Music video
"911" on YouTube

"911" is a song past American singer Lady Gaga recorded for her sixth studio album, Chromatica (2020). It appears equally the album's 8th track, preceded by a string arrangement titled "Chromatica II". It was written past Gaga along with Justin Tranter, BloodPop, and Madeon, with the latter two also producing along with Benjamin Rice. Information technology is a Eurodisco, synth-pop, and electropop song with influences from funk and techno. Lyrically, it talks about mental health and the antipsychotic medication Gaga takes. "911" was serviced to French and Italian radios as the third single off the anthology on September eighteen and 25, 2020, respectively.

Numerous music critics chosen the runway one of the best from the album, praising both its production and songwriting. The "seamless" transition between "Chromatica II" and "911" was also highlighted and was turned into several memes upon the album's release. The accompanying music video was directed by Tarsem Singh and features a surreal dreamscape and a twist ending. It was largely inspired by Armenian film manager Sergei Parajanov's 1969 Soviet art film The Color of Pomegranates. Gaga performed "911" at the 2022 MTV Video Music Awards as part of a medley. The vocal received remix versions by Bruno Martini, Sofi Tukker, and WEISS on December iv, 2020, while a new version by Charli XCX and A.G. Melt appeared on Gaga's remix album, Dawn of Chromatica (2021).

Groundwork and release [edit]

Madeon, co-producer of "911", previously worked with Gaga on her 2013 album Artpop.

"911" was written past Lady Gaga, Justin Tranter, BloodPop, and Madeon; product was done by the latter two, along with Benjamin Rice. The song details and describes Gaga's relationship to her antipsychotic medication, olanzapine.[1] Gaga said: "It'due south almost an antipsychotic that I take. And it's considering I can't always control things that my brain does. I know that. And I have to take medication to finish the procedure that occurs."[one] BloodPop farther elaborated:

[Medication] is non fun to talk nigh for most people, but information technology'south a very real part of modern life for those who need it. This was her truth and she wanted to write almost it even though she knew it would exist painful to "go in that location". ["911"] hit me particularly hard as well because at the time I had to get on medication for OCD and low for the beginning time in my life.[2]

In an interview with Rolling Stone, BloodPop confirmed that while Gaga was recording the song, she insisted that the studio exist well-nigh pitch-black and that she wear a wig in lodge to feel similar someone else as she wanted to "relive everything she was talking most in the vocal with every take".[3] Co-writer and producer Madeon added that they wanted to keep product quiet because "there's so much life and impact in those lyrics that you want to let them exhale. You lot don't need to drown them."[3]

On September 17, 2020, Gaga retweeted a mail from 2013 that said, "A POP MUSIC EMERGENCY IS UNDERWAY 911."[iv] [five] A day afterwards, "911" was announced as the third single of Chromatica.[6] [vii] Universal Music Grouping issued the song to French and Italian radios on September 18 and 25, respectively.[8] [ix]

Composition and lyrics [edit]

"911" is largely a Euro disco,[10] synth-pop[11] [12] and electropop[11] vocal, which sees Gaga using monotonous,[13] robotic song effects on tiptop of industrial synthesizers, a techno-funk groove,[14] and a "trippy" chorus.[fifteen] Leah Greenblatt from Entertainment Weekly compared the song to the piece of work of French electronic music duo Daft Punk,[sixteen] while Nick Smith of musicOMH noted similarities to Kylie Minogue's "Speakerphone".[17] Jem Aswad from Variety establish a "vocal nod to Lipps Inc.'s 1980 nail 'Funky Town' in Gaga'southward trademark robo-dominatrix vox."[18] Adam Antar of Medium pointed out the "robotic Eurythmics-sounding beat that mirrors [the singer'southward] inflection".[19]

Billboard 's Nolan Feeney described "911" as "a song most when your encephalon and your trunk feel at war with each other."[twenty] Throughout both verses, the singer describes her battle with mental health and the cocky-loathing she feels for non being able to bargain with the world around her. Gaga too lists the ways her mental illnesses are clouding the way she sees the surrounding world.[nineteen] The lines "I tin't encounter me cry/Can't come across me cry ever again/I can't meet me cry/Can't see me cry/This is the finish" are referencing the decreased emotional responses which are side-effect of her medication.[21] In the chorus, the vocaliser fully accepts and realizes her mental illness and admits her dependence on an antipsychotic to help her survive, with the line: "My biggest enemy is me / pop a 911".[19] [22]

"Chromatica 2" [edit]

"Chromatica II"
Limerick past Lady Gaga
from the album Chromatica
Released May 29, 2020 (2020-05-29)
Length 0:41
Songwriter(s)
  • Lady Gaga
  • BloodPop
  • Morgan Kibby
Producer(south)
  • Gaga
  • Kibby
Audio video
"Chromatica II" on YouTube

"911" is 1 of the three songs on the Chromatica album which are preceded by an orchestral interlude. Gaga wanted to emphasize the "cinematic" feeling of the record and felt that it had distinct acts, "such as the precipitous correct turn it takes when '911' kicks in."[2] The interludes were composed past musician Morgan Kibby, who assembled a 26-person orchestra to record the string arrangements.[2] Talking about the creative process of "Chromatica Ii", the interlude preceding "911", she explained:

"Chromatica Two" was the last piece nosotros composed, and at that point information technology was clear to Gaga that it should fall right earlier "911", which was already consummate. I call back this moment in the studio and so clearly, because she lit up, and without any words I flipped the keyboard effectually, pulled up the cord sound she was envisioning, and she started to play this amazing marcato idea. From there, nosotros massaged it, and I focused on the harmonies and dynamics to brand sure it amped the free energy up.[2]

Upon the album's release, the seamless transition between "Chromatica II" and "911" became a fan-favorite and was discussed equally an album highlight.[2] It generated several memes, with people editing the transition into classic scenes from movies and Goggle box,[23] [24] other internet memes, phrases, and videos,[25] and recreating the transition with similar sounding songs, most notably with Kylie Minogue's "Tin't Go You lot Out of My Head".[26] Annie Zaleski of Time magazine plant the strings of "Chromatica II" a "delight", as they "crescendo and swerve" into "911".[27]

Canadian vocalist and producer Grimes was fix to remix the interlude for Gaga's tertiary remix album Dawn of Chromatica, as well equally "Chromatica I" and "Chromatica 3";[28] nevertheless, her contributions did not brand the concluding cutting.[29]

Critical reception [edit]

Spencer Kornhaber from The Atlantic found "911" a standout moment of the Chromatica album and described it as a "playfully robotic" song which "reveals new intricacies with each listen."[30] Stephen Daw of Billboard ranked the rail as the third best from the album, with "deeply satisfying production" and "some ridiculously clever songwriting", while saying that Gaga "is in her element when she is delivering camp."[31] Kory Grow from Rolling Stone thought the song "splits the divergence between the Buggles and Kraftwerk, filtered through Gaga's kaleidoscope" and noted that "she'due south at her best... when taking musical risks", like with "911".[32] Jeremy J. Fisette from Beats Per Minute named information technology the "strongest song on the record".[33] Tom Johnson from The Line of Best Fit besides found it an album highlight, proverb that along with another track, "Replay", they are both "honest and thoughtful, bright dance music."[34]

Writing for PopMatters, Evan Sawdey thought that even though "Gaga is still hiding backside vocoders and numerous filtered song effects", the song is i of the all-time moments of the album as her "real life and experiences are seeping through the gaps in the 4/four rhythm chains".[10] Caryn Ganz of The New York Times listed the "winking monotony" of "911" every bit one of the moments she enjoyed from the album.[35] Los Angeles Times 's Mikael Forest chosen it a "tricky, fist-pumping song".[36] Sal Cinquemani of Slant Magazine idea that Gaga's "distorted vocals" and the "euphoric swoon of the rails's pre-chorus" create an "effective dissimilarity".[37] Alexa Camp from the same publication establish "911" reminiscent of the singer'due south past singles, "LoveGame" and "Chiliad.U.Y.".[38] Dan Weiss from Spin criticized the song for being "so breathlessly wordy you tin can't retrieve (or even observe) the hook".[39] Mark Richardson from The Wall Street Periodical thought that "911" along with another vocal, "Enigma", "notice Lady Gaga deploying the more bombastic fashion of her earlier hits to lesser effect."[40]

Music video [edit]

Background and product [edit]

The song'due south music video was directed by Tarsem Singh (pictured in 2011).

The music video was directed past filmmaker Tarsem Singh and was shot in August 2020[20] [41] in Valencia, a neighborhood in Santa Clarita, California.[42] The sand dunes for the opening scene were photographed at San Luis Obispo by Tarsem, who removed the sea and changed the color of the sand to white in post-production.[42] He originally wanted to shoot the desert scenes in New Mexico, and use a real city location instead of a backlot for the final scene, but they didn't get the necessary permissions due to the ongoing COVID-nineteen pandemic.[42] Because of the pandemic, everybody on the filming location in Valencia were required to have solid tests and stand completely away from each other. The shooting was also fabricated difficult by wearing tight clothes in the desert, with 118 °F (47 °C) heat, which caused some of the people to pass out.[42] Nicola Formichetti outfitted the video, with many pieces designed by Russian-Armenian creative person Karina Akopyan.[43]

The concept for the story of the video came from Tarsem, who shared the more than 25-year-old idea with Gaga as her "life story spoke so much to him."[44] He one time considered using the thought for a video to Massive Attack, but that did not work out due to scheduling conflicts.[42] Talking nearly the video, Gaga said she "felt and then live making it, maybe more than at any other point during the making of Chromatica."[twenty] She also added that filming required her to "revisit the kind of dark hole she was in when she wrote it", though "she didn't skid dorsum down; she shook information technology off and went back to work".[20] Gaga later posted the post-obit on her Instagram:

This short film is very personal to me, my experience with mental wellness and the mode reality and dreams tin interconnect to form heroes within us and all around usa. [...] Something that was in one case my real life everyday [sic] is at present a film, a true story that is now the by and non the present. Information technology's the poetry of pain.[41]

The video premiered on September 18, 2020, on YouTube at 9AM PT.[45] Tarsem revealed that it was supposed to be released earlier but was pushed back because it was "too close to 9/xi, and that wasn't being sensitive enough."[42] In addition to "911", the video includes the orchestral interludes "Chromatica Ii" and "Chromatica III", the preludes to "911" and "Sine from Above", respectively.[41] LG Electronics later on included an sectional edit of the music video, along with commentary by Tarsem Singh, on its FOMO channel which is bachelor on the company'southward smart TVs.[46] On December 12, 2020, Gaga released the xl-ninth episode of her web series Gagavision, showing the behind the scenes of the music video.[47] On Baronial 14, 2021, a new 360-degree behind the scenes video was released exclusively on the CEEK VR app.[48]

Synopsis [edit]

Gaga, in a yellow wearing apparel, with two characters who are guiding her through the video. The painting in the background foreshadows the twist ending of the prune, and is reminiscent of some of Frida Kahlo'due south piece of work.[41]

The video begins with Gaga in a desert sprawled out next to a broken bicycle and pomegranates spilled on the ground. Gaga'due south eyes are concealed in a reddish fabric blindfold. A figure dressed in black riding a dark horse lures her out of the dunes and into a mission. As the song starts, she enters the mission filled with oddly dressed people, including a man banging his head onto a pillow and a adult female resembling Santa Muerte cradling a mummy.[4] Additional characters call a man dressed in black and a adult female dressed in white, who bladder down from the heaven using an umbrella, as they lookout man Gaga move throughout the mission'south courtyard. The two characters effort to appoint with Gaga, merely she continues to migrate away from them. When Gaga is trying to wing abroad, with a glory around her head, the human pulls her dorsum downwards to the ground with a rope. Afterward in the video, Gaga wears a full-torso floral suit, and an item resembling an ambulance spinal board is brought in backside her. Everyone gathers inside the mission to picket Gaga, equally the woman in white opens a wooden box akin to a defibrillator.

Gaga begins to cry and scream, waking up in the real world, where she is seen lying exterior of a moving picture theater. The marquee reads, "Armenian Film Festival". Paramedics stupor her back to life after being injure in a car-bike blow. Afterwards she is revived, the doctor asks if she's on any medication, for which she replies, "I didn't have pain pills." All the imagery from the fantasy earth appear equally billboards on the street where the blow occurred, along with the people surrounding her.

Inspirations and analysis [edit]

Throughout the video, Singh visually references The Colour of Pomegranates (1969), an Armenian Soviet art film by Armenian filmmaker Sergei Parajanov.[fifty] The more obvious nods to the picture include pomegranates scattered around Gaga'southward wrecked bike, and the film's poster appearing on the street scene at the end of the video.[41] [49] Gaga's video presents the film'due south symbols in her ain allegory of pain.[41] Some of the outfits are inspired by painter Frida Kahlo'south mode, and the accident scene is reminiscent of the traumatic bus standoff that inspired some of Kahlo'due south well-nigh famous work.[41] Its reminiscent visuals were too inspired by Singh's 2000 film The Prison cell.[four] Other references include Federico Fellini'southward (1963) and Alejandro Jodorowsky's The Holy Mount (1973).[43]

Similar to The Wizard of Oz (1939), the characters actualization in Gaga'due south imagination are portrayed past the same people who she saw in reality, the victims and beginning responders who are at the site of the blow.[38] For example, the man seen earlier banging his caput into a pillow, is a driver with a head injury who lays his head on a deflated airbag, while the man and woman chasing Gaga throughout the hallucination represent the EMS personnel who are attempting to revive her.[49] The video utilizes a wide assortment of symbolism used to indicate real globe objects, such every bit Gaga'due south bracelet representing a tourniquet, and the mirror that flashes a light into Gaga's face representing the medical penlight used by the paramedic to check real-life Gaga'southward responses.[6] [49] The blindfold on Gaga'south confront at the beginning of the video symbolizes how her character is unconscious in real life.[49] In the final scene of Gaga'due south hallucination, there are several symbols - the same symbol from the cover art of Chromatica - and scars on her brow, representing "things that she'southward gotten through in her life", the singer's makeup artist Sarah Tanno explains.[51] It also makes reference to her song "Replay", which contains the lyrics "the scars on my mind are on replay".[52]

Reception [edit]

Justin Curto from Vulture wrote that "Lady Gaga is back to beingness her fully indecipherable self in her new music video [...] with an instantly iconic bandage of characters and a twist that demands hours of rewatching and theorizing."[53] Gil Kaufman of Billboard pointed out the music video's homage to The Color of Pomegranates, saying that it similarly "eschews traditional narrative in favor of dramatic, colorful scenes packed with centre-communicable symbolism."[50] Jon Blistein of Rolling Stone described the clip as an "eye-popping fever dream".[54] Charlotte Krol from NME wrote that the singer "taps into her superb acting one time again" with the music video.[vii] Writing for Multifariousness, Jazz Tangcay stated that "there'due south so much to unpack" in the video, saying that "information technology'southward filled with symbolism and that twist will offset many discussions."[4] Entertainment Weekly 's Joey Nolfi also noted the "heavy symbolism" in the video, saying "the video itself defies classification."[55] Janelle Okwodu of Vogue called the video "a stunning tribute to surreal mode", adding that "the pop star goes to great lengths to make her music videos original, and [...] she raised the bar with the surprise release of '911', a [...] mini-film chock total of arresting imagery."[43] Jenna Ryu from U.s. Today called it "artistically absorbing" and highlighted that information technology contains stiff colors, with many details and a tricky storytelling.[56] Pitchfork 's Eric Torres ranked the video as the third best one of September 2020, claiming "all the head-scratching symbology slips away, revealing a twist ending that should probably come with a trigger warning."[57]

At the end of 2020, Billboard named information technology the fourth all-time music video of the year.[58] It besides won the award for All-time Make-Up in a Commercial/Music Video at the 2022 Make-Up Artists and Hair Stylists Guild Awards.[59] At the 2022 MTV Video Music Awards, the video was nominated for Best Cinematography and All-time Art Management.[60]

Live performance [edit]

On August xxx, 2020, Gaga performed a medley of songs from Chromatica at the 2022 MTV Video Music Awards, which included "911". The functioning started with Gaga laying on a burrow, watching a '90s throwback VMAs ceremony. She then slid down a pole to a room total of naked mannequins while "Chromatica Ii" was playing. As the instrumentals segued into "911", she joined her fill-in dancers for the choreographed performance.[61] [62] Gaga was wearing a bright greenish 2-piece bodysuit, forth with a sound-reactive LED face mask.[61] [63]

Remixes [edit]

Remixes past Bruno Martini, Sofi Tukker, and WEISS were released on December 4, 2020.[64] [65] [66] One of the song's producers, Madeon, remixed the song for his DJ Mix NYE 2021 that was released three weeks subsequently.[67]

During a Q&A on Twitter on March 27, 2021, Charli XCX revealed she was contacted by BloodPop to be role of a remix of the song, but zero came of it. Later that day, the producer posted a screenshot of a conversation with her confirming he had sent its stems to her back in November 2020. Even so, due to a communication mistake, XCX claimed to have never gotten them, but would look to see if her team has them.[68] Her remix, featuring English language producer A. Grand. Cook, was released on September 3, 2021, as part of Gaga's third remix album Dawn of Chromatica.[69] The song includes a new poetry with Charli's lines: "I look out to Venus and search for a place / And search for a place / And sometimes I hate myself / If it's all getting way harder / Turn it up, political party to Gaga.[70]

Neil Z. Yeung of AllMusic called the remix one of the highlights of the Dawn of Chromatica album, saying that "Charli XCX and A.G. Cook revive '911' equally a pulsing digital epic".[71] Pitchfork's Jamieson Cox praised the "crystalline hyperpop" remix and its "stunning" final poetry and outro, dubbing information technology "some of Charli'south finest work since Pop ii."[72] Alexa Military camp of Slant Mag thought that XCX "injects some much-needed expressiveness" in the song, while Melt "drags [information technology] from the belatedly aughts into something approaching the future."[73] Writing for Clash, Robin Murray praised the remix as "stellar".[74] Writing for Gigwise, Alex Rigotti called it the third best runway on the record, which "transforms the rigid, robotic original into something way more chaotic, but tense", delivering "high drama" while "sounding utterly transcendental". She appreciated Charli for "performing more in her vocal fashion instead of befitting to Gaga's standards".[75] Joey Nolfi of Entertainment Weekly thought that XCX reimagined the song "into something that suits her own make while bringing out new layers in Gaga'southward raw lyrics."[76]

Rails listing [edit]

Credits and personnel [edit]

"911" [edit]

  • Lady Gaga – vocals, songwriter
  • BloodPop – producer, songwriter, bass, drums, guitar, keyboards, percussion
  • Madeon – producer, songwriter, bass, drums, guitar, keyboards, percussion
  • Justin Tranter – songwriter
  • Benjamin Rice – song production, mixer, studio personnel
  • Tom Norris – mixer, studio personnel
  • Elias Inácio – guitar[A]

"Chromatica II" [edit]

  • Lady Gaga – composition, production
  • Morgan Kibby – composition, production
  • Ian Walker – bass
  • Giovanna Thousand Clayton – cello
  • Timothy E Loo – cello
  • Vanessa Freebairn-Smith – cello
  • Amie Doherty – usher
  • Allen Fogle – French horn, horn
  • Dylan Hurt – French horn, horn
  • Katelyn Faraudo – French horn, horn
  • Laura Thou Brenes – French horn, horn
  • Mark Adams – French horn, horn
  • Teag Reaves – French horn, horn
  • Nicholas Daley – trombone
  • Reginald Yound – trombone
  • Steven Thou. Holtman – trombone
  • Andrew Duckles – viola
  • Erol Rynearson – viola
  • Linnea Powell – viola
  • Meredith Crawford – viola
  • Alyssa Park – violin
  • Chart Bisharat – violin
  • Jessica Guideri – violin
  • Luanne Homzy – violin
  • Lucia Micarelli – violin
  • Marisa Kuney – violin
  • Neel Hammond – violin
  • Shalini Vijayan – violin
  • Songa Lee – violin
  • Mike Schuppan – mixing, studio personnel
  • Randy Merrill – mastering, studio personnel
  • Gina Zimmitti – orchestra contractor
  • Whitney Martin – orchestra contractor

Notes [edit]

  1. ^ Elias Inácio is only credited in the Bruno Martini remix version.[77]

Charts [edit]

Certifications [edit]

Release history [edit]

References [edit]

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  3. ^ a b Spanos, Brittany (May xxx, 2020). "Welcome to 'Chromatica': Inside Lady Gaga'south Triumphant Dance Floor Return". Rolling Stone. Archived from the original on June 17, 2020. Retrieved June 16, 2020.
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  5. ^ @ladygaga (September 17, 2020). "🚨..." (Tweet). Retrieved September 19, 2020 – via Twitter.
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Source: https://en.wikipedia.org/wiki/911_(Lady_Gaga_song)

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